This monograph presents a narrative of Rolf Sachs’s work from the 1990s to the present. It celebrates a practice that exists at the borders: where painting references objects and objects reference painting; where design gestures toward art and sculpture embraces the utilitarian. The book invites a non-linear reading experience, zigzagging through time to reveal visual, conceptual, and formal connections.

Alongside an interview with the artist, this publication includes essays by Volker Albus, Gabrielle Ammann, Helen Chislett, Wilfried Dickhoff, Bill Kouwenhoven, Salvatore Lacagnina, Claudio Lazzarini and Carl Pickering, Otto and Maximilian Letze, Coralie Malissard, Mirja Sick and Valerie von Bechtolsheim, and Betony Vernon.